Preview: Fledgling Fly on a Wall breaks loose for dance and film “Dust House” collaboration

Fly on a Wall features dancers who performed with Atlanta Ballet and glo.
Fly on a Wall features dancers who performed with Atlanta Ballet and glo.
Fly on a Wall features dancers who performed with Atlanta Ballet and glo.
Fly on a Wall features dancers who performed with Atlanta Ballet and glo.

An old, boarded-up house recently became the unlikely point of inspiration for Atlanta’s artist collective, Fly on a Wall. Dust House is a new piece created in an abandoned home in Atlanta’s historic West End neighborhood.

The finished work, opening May 15, includes a video installation which will be exhibited at Dashboard Co-op’s gallery at 31 North Avenue through June 12, as well as a live performance around the corner at Dashboard’s performance space at 621 Spring Street from May 15-18.

The work had its origins when dancer and Fly on a Wall founding member Nicole Johnson began to explore unfamiliar neighborhoods in south Atlanta and in the West End looking for a house to live in. “It opened my eyes to another part of our city I didn’t realize was so close but also so broken down,” she says. “So many houses were abandoned or boarded up. I’ve lived in Atlanta my whole life, but it really struck me.”

Johnson originally thought a photo shoot inside one of the abandoned historic houses would be a great way to create some evocative images for the new company, but the idea started to develop when she took it to the other members — Nathan Griswold, Kelly Tipton and Sean Hilton — and they decided to make a dance film. 

Filming with Kris Valeriano.
Filming with Kris Valeriano.

With the support of Dashboard Co-op, they invited Atlanta filmmakers Felipe Barral (who produces original videos for ArtsATL), Kris Valeriano and Alex Zhuravlov, as well as Stephanie Swart, an animation artist from New York City, to work with them on the project. “We wanted to see what it would be like to give four different artists complete freedom to see their story inside the house,” says Hilton.

Locating an abandoned house, however, proved more challenging than they expected. “We had the project and everyone on board for about six months before we were able to find the right house,” Johnson says. “We were getting kind of nervous. There are plenty of abandoned houses, but we wanted to be in one legally.” 

The group specifically wanted a large house with a lot of space for dance, one with a storied past and one with multiple rooms, each with its own evocations, to film different scenes.

The first time they visited the house owned by a friend of a friend in Atlanta’s West End, it was in such poor shape they rejected the idea of filming there. But they eventually reconciled themselves to it, spending an entire week cleaning up before filming or dancing even began. 

When the house was built in the 1920s, it was a mansion in one of Atlanta’s most desirable neighborhoods. Through the years, as the neighborhood changed, it became a women’s shelter and then a retirement home before being abandoned. “It had a lot of stories everywhere,” says Griswold. “You can tell that a lot of people had lived there in spite of the fact that it had been empty for decades.”

For Johnson and Hilton, their years of experience performing site-specific work with Atlanta dance company glo came in handy as they navigated the sinking corners and buckling floorboards. “With any kind of site-specific work, when you’re in the space you start to contour it naturally,” says Johnson. “Your feet start to navigate the space. We really got to know the house so well.”

The group created abstract vignettes, each suggestive of the various layers and lives led in the old house, and then gave each filmmaker the freedom to film whichever one they wanted, in whatever style they chose. The four films will become part of an installation at Dashboard’s gallery space, and various stills will be projected in the nearby performance space.

Fly on a Wall was founded by its four members last year as a collective to create new dance works like Dust House and especially as a way to collaborate with artists from other mediums. Johnson, Tipton and Griswold all met when they danced together at Atlanta Ballet, and Johnson and Hilton danced together with choreographer Lauri Stallings’ glo. 

Tipton and Griswold both recently returned to Atlanta after a time dancing in Europe with Ballet Augsburg. Johnson and Hilton both left gloATL, each wanting to start to create their own work. “When you start to hear that call, it’s time to move in that direction,” says Hilton.

“I worked with Lauri for about seven years,” says Johnson. “It was a great experience and I learned a ton; it was just time for me to do other things. I wasn’t even sure what that was at first. We all just started meeting in my living room. What we wanted to do is get a lot of people from a lot of different genres together and let them be creative.” 

They chose the name “Fly on a Wall” because it suggested an abiding interest of the group: the ability to view things from a number of perspectives. The artists say that ideas bounce around freely, and each member takes on a number of roles with each work, often acting simultaneously in multiple roles: dancer, director, builder, choreographer, manager.

“We work very fluidly,” says Johnson about her time with the collective and especially of the experience of preparing for Dust House, which will be one of the group’s largest and most ambitious works to date. “We all play different roles at different times. I’ve learned to do so many new things in just a year.”

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