Art in Atlanta

The vampires in “Kiss of the Damned” don’t sparkle and play baseball in daylight. When the sun hits them, they have the old-school decency to

“Pakistan was the great mistake of his parents, the blunder that had deprived him of his home.” So writes Salman Rushdie in his recent memoir

Recycling ready-made materials, repurposing common household items and creating art from the refuse of everyday life are classic strategies of the modern and postmodern avant-garde,

“Lady Lay,” at 7 Stages through May 19, tells the story of Marianne, an office worker in a dreary job in West Berlin in the

Tanz Farm, the performance anthology curated by gloATL and the Goat Farm Arts Center, has blown open Atlanta’s dance world this season with a series of

“Frida & Diego: Passion, Politics, and Painting,” the popular exhibition of paintings by the 20th-century Mexican power couple, closes on Sunday, and the High Museum

Atlanta Ballet will reject the pull of traditionalism this weekend with its season closer, “Love Stories,” May 10-12 at the Cobb Energy Performing Arts Centre.

America in the late 1950s and early ’60s. It was the beginning of the age of the “Mad Men,” whose Madison Avenue genius would soon be

Christal Presley’s memoir Thirty Days With My Father: Finding Peace From Wartime PTSD (Health Communications, 243 pages) chronicles 30 days of conversations discussing a subject that

Since Dennis Hanthorn’s abrupt departure last August, the Atlanta Opera has operated without a leader. Last week, the company announced that it had chosen Tomer

On Thursday, the Atlanta Symphony Orchestra performed a concert of music by Thomas Adès, Ludwig van Beethoven and Robert Schumann at Symphony Hall, led by guest conductor Hugh

As he showed in “Under the Sand” and “Swimming Pool,” French writer-director François Ozon is fascinated with the elusiveness of “reality” and the seductions of