Art in Atlanta

Somewhere along the spectrum between the teenage bonding of “The Breakfast Club” and the teenage bacchanal of “Kids” lies “The We and the I.” It’s

ArtsATL and the Goat Farm Arts Center threw a party last week at the Goat Farm’s Goodson Yard. Here is an artistic view of the event.

“Blancanieves,” a Spanish retelling of “Snow White” through the lens of early-20th-century bullfighting culture, ends with a haunting, ambivalent image. It’s a shame that this

Strange, how quickly a signature style can teeter on self-parody. Take “To the Wonder,” writer-director Terrence Malick’s latest since “The Tree of Life,” a movie

  I am pleased to announce that the Kendeda Fund has awarded ArtsATL a $10,000 grant. “The Kendeda Fund has long acknowledged the importance of

“Artistic License” is the only event at which you can choreograph a dance by picking something out of a chest, shimmy with a go-go dancer

It’s a classic plot: our heroes go on a Quest to attain a great Prize but must overcome many Obstacles to do so. And, along

Atlanta’s Film Love series is presenting an evening of French director Jean-Gabriel Périot’s work — and the director himself — in a fascinating 90-minute program

Cellist  Alisa Weilerstein, a MacArthur “genius grant” recipient, performs Shostakovich alongside the Atlanta Symphony Orchestra and under the baton of the Los Angeles Philharmonic’s Lionel

What a strange movie this is, “The Silence.” Starting with the title’s stark, pseudo-Tarkovsky-Bergman austerity and the relentless, ominous rumble of its soundtrack, the German

Are you willing to get dumped for the sake of art? You can make up afterward in our disco for two. But only if you

There will never be a shortage of bad movies. And that’s a good thing for Larry Johnson, the founder of Cineprov!, Atlanta’s only professional movie riffing