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  • sharon-love-is-blind
    ART+DESIGN

    Review: At {Poem 88}, the ambiguity of Antonioni’s “Blow-Up,” seen through 47 years

    By JERRY CULLUM

    There was a time in America when we had to turn to European cinema to find not just moral but factual ambiguity. Pre-Thomas Pynchon as

    POSTED Apr 25 3 comments READ MORE
  • 86533445_b6646520f5
    ART+DESIGN

    News: High Museum postpones “Free Radicals,” its contemporary MOMA show, for at least a year

    By Stephanie Cash

    The High Museum of Art has postponed the exhibition that was to have concluded its partnership with New York’s Museum of Modern Art. According to

    POSTED Apr 24 8 comments READ MORE
  • BLDGS: Computer rendering of lecture hall looking back into gallery.
    ART+DESIGN

    Life begins at 40: In anniversary year, Atlanta Contemporary Art Center to undergo major upgrade

    By Catherine Fox

    The Atlanta Contemporary Art Center is celebrating its 40th birthday this year. If you’ve hit that mark yourself, you know that, as youthful as you

    POSTED Apr 24 2 comments READ MORE
  • BORN; "Nebulous," detail. 2013. Mixed Media.
    ART+DESIGN

    Review: In Swan Coach House show, former street artist BORN outgrows confining categories

    By Lilly Lampe

    Art writing favors easy categorization. “Emerging,” “folk,” “female” and a host of other descriptors serve to neatly group artists. These adjectives, however, can be reductive

    POSTED Apr 23 2 comments READ MORE
  • (MEROE PYRAMIDS
Reconstructed pyramids and chapels at the royal necropolis of Ancient Meroe. © Chester Higgins Jr. All Rights Reserved.
    BOOKS, ART+DESIGN

    Q&A: Carlos Museum’s Peter Lacovara, who’s helping put ancient Nubia on the map

    By Andrew Alexander

    The achievements and monuments of ancient Nubia have long been overshadowed by those of ancient Egypt. But in recent years, more and more archaeologists are

    POSTED Apr 22 1 comment READ MORE
  • Screen shot 2013-04-21 at 6.22.38 PM
    THE ARTS

    And a good time was had by all: “Artistic License,” the video

    By Felipe Barral, the G channel

    ArtsATL and the Goat Farm Arts Center threw a party last week at the Goat Farm’s Goodson Yard. Here is an artistic view of the event.

    POSTED Apr 22 1 comment READ MORE
  • _resized
    THE ARTS

    News: Kendeda Fund boosts ArtsATL with $10,000 grant

    By Catherine Fox

      I am pleased to announce that the Kendeda Fund has awarded ArtsATL a $10,000 grant. “The Kendeda Fund has long acknowledged the importance of

    POSTED Apr 19 12 comments READ MORE
  • Makeba Dixon-Hill, curator of education at Spelman College's art  museum.
    THE ARTS

    Preview: Dance, drama and music will enliven “Multiple Choice” at Spelman art museum on Saturday

    By Gillian Anne Renault

    If the words “multiple choice” bring up unpleasant memories of tests in school, you might want to head down to the Spelman College Museum of

    POSTED Apr 18 2 comments READ MORE
  • Watering_Hole_2
    ART+DESIGN

    Review: At Whitespace, Ann-Marie Manker’s fantasy worlds, populated by disturbing women

    By Stephanie Cash

    Ann-Marie Manker is a favorite Atlanta artist, and it’s easy to see why. Her paintings of fantastical worlds are well executed, graphically striking and wildly

    POSTED Apr 16 5 comments READ MORE
  • Out of Hand Theater's "The Break Up"
    THE ARTS

    “Artistic License,” this Friday, promises profusion of experiences from high art to hijinks

    By Catherine Fox

    “Artistic License” is the only event at which you can choreograph a dance by picking something out of a chest, shimmy with a go-go dancer

    POSTED Apr 16 No comments READ MORE
  • Johannes Vermeer:
"Girl with a Pearl Earring," ca. 1665.
Oil on canvas17 1/2 x 15 3/8 inches. Mauritshuis, The Royal Picture Gallery,.
    ART+DESIGN

    Q&A: Mauritshuis Director Emilie Gordenker on “Girl With a Pearl Earring” and other Dutch treats

    By Stephanie Cash

    The High Museum of Art often plays host to “masterpieces” in exhibitions traveling from other institutions. This summer, a truly great one will make an appearance in

    POSTED Apr 13 No comments READ MORE
  • Don Cooper: "Point of Departure." Acrylic was on YUKO paper. 60x60-inches.
    ART+DESIGN

    Review: At Sandler Hudson Gallery, Don Cooper’s luminous emanations of the cosmic

    By Faith McClure

    It’s almost impossible to discuss the metaphysical or the spiritual — the latter a term so overused that it’s practically ineffective — without sounding somewhat

    POSTED Apr 12 No comments READ MORE
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