Art in Atlanta

If you don’t know him already, Olivier Assayas is a name to remember when you’re in the market for an interesting, unpredictable French film. Like

In a nice bit of synchronicity, the latest issue of the literary magazine Sugar Mule, which features almost four dozen South Asian writers, has come

The vampires in “Kiss of the Damned” don’t sparkle and play baseball in daylight. When the sun hits them, they have the old-school decency to

As he showed in “Under the Sand” and “Swimming Pool,” French writer-director François Ozon is fascinated with the elusiveness of “reality” and the seductions of

If classical visual beauty alone defined what makes a movie great, “Renoir” might be, well, a masterpiece. But so many other elements need to harmonize

Somewhere along the spectrum between the teenage bonding of “The Breakfast Club” and the teenage bacchanal of “Kids” lies “The We and the I.” It’s

“Blancanieves,” a Spanish retelling of “Snow White” through the lens of early-20th-century bullfighting culture, ends with a haunting, ambivalent image. It’s a shame that this

Strange, how quickly a signature style can teeter on self-parody. Take “To the Wonder,” writer-director Terrence Malick’s latest since “The Tree of Life,” a movie

It’s a classic plot: our heroes go on a Quest to attain a great Prize but must overcome many Obstacles to do so. And, along

Atlanta’s Film Love series is presenting an evening of French director Jean-Gabriel Périot’s work — and the director himself — in a fascinating 90-minute program

What a strange movie this is, “The Silence.” Starting with the title’s stark, pseudo-Tarkovsky-Bergman austerity and the relentless, ominous rumble of its soundtrack, the German

The 2005 film “The Exorcism of Emily Rose” questioned whether the death of a young woman (Jennifer Carpenter of “Dexter”) was the result of well-meaning