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    ART+DESIGN

    Review: In Hudgens fiber show, loveliness and pleasing unease

    By JERRY CULLUM

    “Repetition and Ritual: New Sculpture in Fiber,” curator Sonya Young James‘ survey of a vibrant field at the Hudgens Center for the Arts, is a highlight of

    POSTED May 17 No comments READ MORE
  • Mery Lynn McCorkle; "Bacteriophage of B Subtilis, Fragment 3," 
2013. 14 x 11 inches.
    ART+DESIGN

    Review: Mery Lynn McCorkle’s glittering and mutable “Cell Biology,” at Marcia Wood Gallery

    By JERRY CULLUM

    If the old saying remains true that not everything that glistens is gold, it is also true that not everything that glistens is just glitz.

    POSTED May 14 1 comment READ MORE
  • sharon-love-is-blind
    ART+DESIGN

    Review: At {Poem 88}, the ambiguity of Antonioni’s “Blow-Up,” seen through 47 years

    By JERRY CULLUM

    There was a time in America when we had to turn to European cinema to find not just moral but factual ambiguity. Pre-Thomas Pynchon as

    POSTED Apr 25 3 comments READ MORE
  • theory of slow growth_16_x24__2013
    ART+DESIGN

    Review: Dayna Thacker’s sacred geometry, careful craft make for art handsome and profound

    By JERRY CULLUM

    We need new metaphors for the interconnectedness of everything. The old chaos-theory cliché that a butterfly flapping its wings can eventually cause a storm on

    POSTED Apr 02 3 comments READ MORE
  • Erin Palovick: Untitled. Prismacolor pencil on paper
    ART+DESIGN

    Review: At Kibbee Gallery, Erin Palovick’s refreshing colors, Julianne Trew’s colliding visions

    By JERRY CULLUM

    These days, I am exasperated with the lack of genuinely wide-ranging reinventions of art criticism (although that is in part a side effect of there

    POSTED Mar 20 No comments READ MORE
  • EK Huckaby: "Please Take Care" (2012), oil on panel.
    ART+DESIGN

    Review: E.K. Huckaby’s enigmatic alchemy mixes science and Southern Gothic at {Poem 88}

    By JERRY CULLUM

    E.K. Huckaby’s “The Ocean Casts the Greatest Shadow,” at {Poem 88} through February 9, is something like a select retrospective, circa 2005-2012, of a distinct

    POSTED Jan 31 No comments READ MORE
  • Ashley Schick: "On the Farm: Stairs"
    ART+DESIGN

    Review: Frivolity teeters on edge of seriousness in “Illuminate,” sundry group show at Kai Lin Art

    By JERRY CULLUM

    “Illuminate,” at Kai Lin Art through January 25, is one of those year-ending-and-beginning gallery survey shows that can’t be summed up, period. The title is

    POSTED Jan 17 3 comments READ MORE
  • TindelMichi: "Cotton Belt Route"
    ART+DESIGN

    Review: TindelMichi looks back to render new South in “Baptism by Fire” at Barbara Archer Gallery

    By JERRY CULLUM

    In their collaborative identity as TindelMichi, John Tindel and Michi Meko have been trying to represent a different, newer South by borrowing images for their

    POSTED Dec 14 2 comments READ MORE
  • Beginning of Life in Yellow Jungle
    ART+DESIGN

    Review: Engaging politics, race and hope, Thornton Dial’s masterful art rises above labels

    By JERRY CULLUM

    “Hard Truths: The Art of Thornton Dial,” on display at the High Museum of Art through March 3, 2013, is the culmination of the 25-year

    POSTED Dec 06 No comments READ MORE
  • Suellen Parker: "Moments of Pleasure"
    ART+DESIGN

    Review: At Whitespace gallery, Suellen Parker’s gender-bending explorations of identity

    By JERRY CULLUM

    Suellen Parker’s “Letting Go,” at Whitespace gallery through November 24, is the nationally recognized artist’s first solo exhibition in Atlanta. More Atlantans know her from her

    POSTED Nov 16 No comments READ MORE
  • Malika Squalli: "Birds at Dawn. Sunrise Rabat, Morocco"   C-print, edition of 8
    ART+DESIGN

    Review: Malika Sqalli treks “Latitude 34″ for auspicious Atlanta debut at Whitespace

    By JERRY CULLUM

    Sometimes dreams come true — or are made to come true. Young and tenacious enough to carry out the enterprise, Moroccan artist Malika Sqalli has

    POSTED Oct 30 1 comment READ MORE
  • Bernard Gore: " Daniel in the Lions Den" Polychromed carved wood
    ART+DESIGN

    Essay: Shows at Barbara Archer, Mason Murer again raise the question, “Just what is folk art?”

    By JERRY CULLUM

    The annual national meeting of the Folk Art Society of America, beginning October 11 in Atlanta, has provided an impetus for a couple of local galleries

    POSTED Oct 09 2 comments READ MORE
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