Ambrose Akinmusire — winner of the 2007 Thelonious Monk International Jazz Competition, 2012 Trumpet Player of the Year in DownBeat Magazine’s Critics Poll, among other
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THE ARTS By Catherine Fox
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THE ARTS By Catherine Fox
ArtsATL’s “30 Under 30: Profiles of Atlanta Creatives” series is a go! Twenty generous donors contributed a total of $2,500, which was matched dollar for dollar
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THE ARTS By Catherine Fox
The arts collaborative John Q chose the metaphoric backdrop of the Atlanta Cyclorama, which depicts General Sherman’s taking of Atlanta, for a film/text/ performance exploring
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THE ARTS By Catherine Fox
“Frida & Diego: Passion, Politics, and Painting,” the popular exhibition of paintings by the 20th-century Mexican power couple, closes on Sunday, and the High Museum
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THE ARTS By Catherine Fox
You can help ArtsATL publish a series of profiles of young Atlanta creatives. “Thirty under Thirty” will include visual artists, writers, dancers, choreographers, actors,
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THE ARTS By Catherine Fox
Nothing says spring more than arts in the park. Georgia Shakespeare gets it started Wednesday with a production of “Much Ado About Nothing” in front
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ART+DESIGN By Catherine Fox
The Atlanta Contemporary Art Center is celebrating its 40th birthday this year. If you’ve hit that mark yourself, you know that, as youthful as you
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THE ARTS By Catherine Fox
I am pleased to announce that the Kendeda Fund has awarded ArtsATL a $10,000 grant. “The Kendeda Fund has long acknowledged the importance of
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THE ARTS By Catherine Fox
“Artistic License” is the only event at which you can choreograph a dance by picking something out of a chest, shimmy with a go-go dancer
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THE ARTS By Catherine Fox
Cellist Alisa Weilerstein, a MacArthur “genius grant” recipient, performs Shostakovich alongside the Atlanta Symphony Orchestra and under the baton of the Los Angeles Philharmonic’s Lionel
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THE ARTS By Catherine Fox
Are you willing to get dumped for the sake of art? You can make up afterward in our disco for two. But only if you
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ART+DESIGN By Catherine Fox
Art history is no ivory-tower pursuit. In researching the art of the ancient Americas, Emory University professor Rebecca Stone spent time observing ocelots in a Costa






















